Groove3 FabFilter Pro-Q 4 Tips! TUTORiAL-HiDERA
HiDERA | 30 May 2025 | 249 MB
Join production guru Larry Holcombe for a fun, informative video course on FabFilter's Pro-Q 4. You'll learn how to use this amazing EQ in multiple scenarios, including mixing, mastering, and other utility applications. Pro-Q 4 is an incredibly capable EQ, and after this FabFilter course, you'll find more ways to use it effectively with confidence and ease, starting with your very next production. These FabFilter Pro-Q 4 videos are designed for users with a basic familiarity of FabFilter Pro-Q 4.
Larry kicks off the course by showing you how to set initial filtering for multiple sounds using only one instance of Pro-Q 4 - handy for conserving CPU resources among other things. Then you'll see how to create a wider, more expansive-sounding master by using Pro-Q 4's mid/side EQ.
Next, Larry demonstrates how to clean up the low end by using frequency-specific side-chain compression, making room for the kick and tightening up the bottom. This is followed by a look at how to use Pro-Q 4 to enhance the groove and punch of a drum loop.
There's more to come as well, including mastering re-balancing (taming and/or bringing out certain frequencies for a smoother master), Spectral mode (for creating a smoother high end), phase concerns (linear phase vs zero latency mode when layering two kicks), and more.
If you've only been using Pro-Q 4 for standard track EQ duties, this FabFilter course is for you! With the knowledge gained in this course, you'll learn how to make Pro-Q 4 a staple in your plugin stable and use it for all kinds of scenarios. See the individual FabFilter Pro-Q 4 video tutorial descriptions for more on all that's covered and ways you can implement these ideas into your workflow. Don't limit yourself when it comes to EQ... Watch "FabFilter Pro-Q 4 Tips!" today!
What You Will Learn:
- Setting initial filtering for multiple instruments using only one instance of Pro-Q 4.
- Using mid/side mode to create a more expansive master.
- Clearing space for the kick by using frequency-specific side-chain compression.
- Taming resonances for a smoother top end with Spectral mode.
-And more!