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Historical Dictionary of Choral Music by Melvin P. Unger PDF [EN] screenshot
2010 | Scarecrow Press | ISBN: 9780810857513 | 4.25 MB | 584 Pages | PDF
The human voice an incredibly beautiful and expressive instrument, and when multiple voices are unified in tone and purpose a powerful statement is realized. No wonder people have always wanted to sing in a communal context-a desire apparently stemming from a deeply rooted human instinct. Consequently, choral performance has often been related historically to human rituals and ceremonies, especially rites of a religious nature.
Historical Dictionary of Choral Music examines choral music and practice in the Western world from the Medieval era to the 21st century, focusing mostly on familiar figures like Bach, Beethoven, Brahms, and Britten. But its scope is considerably broader, and it includes all sorts of music-religious, secular, and popular-from sources throughout the world. It contains a chronology, an introduction, a bibliography, and more than 1,000 cross-referenced dictionary entries on important composers, genres, conductors, institutions, styles, and technical terms of choral music.


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Once again, a local author tries to insert his small world into something that transformed all of our lives: music.

Right at the beginning of the book, he writes:
"1000s The Winchester Tropers, two English manuscripts containing many two-part settings of liturgical music (perhaps the earliest record of polyphony in Europe), are written."

Even if such a document was found, it had no real influence on anyone—it didn’t spread or ignite anything. Unlike the great atomic explosion that music truly was, radiating powerfully across Europe and beyond to this very day: Flanders, Italy, France, Germany, Austria, Belgium, and Denmark. The rest came much later—and mostly as imitators.

Frankly, the inferiority complex and lack of historical awareness shown by some is just absurd. Centuries later...

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