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[dead] The Times Literary Supplement (TLS) - 10 September 2010 screenshot The Times Literary Supplement (TLS) - 10 September 2010 English | 36 pages | OCR PDF | 102.72 Mb
The Times Literary Supplement (or TLS) is a weekly literary review published in London by News International, a subsidiary of News Corporation.

It first appeared in 1902 as a supplement to The Times, but became a separate publication in 1914. The TLS cooperates closely with The Times; its online version is hosted on The Times website and its editorial offices are based in the Times House, Pennington Street, London. Many distinguished writers have been contributors, including T.S. Eliot, Henry James, and Virginia Woolf, but reviews were normally anonymous until June 7, 1974. Martin Amis was a member of the editorial staff early in his career. Philip Larkin's poem Aubade was first published in the Christmas-week issue of the TLS in 1977. While it has long been regarded as one of the world's preeminent critical publications, its history is not without gaffes. For instance, the publication missed James Joyce entirely.

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comments

  Resident 17.02.2009 921
+336
What next the bible ?
Touch The Wires : I Dare You
  Resident 15.09.2010 107
+2
To The-RoBoT:
Yes please!...........Then again I'm so old they probably mentioned me in Numbers, Deuteronomy, Acts or Revelation!
Winks, Kisses and Hugs,
Minnie Bannister (97 Yesterday) >8-{} xxxxxxxxxxxx
  guest -- 0
0
I, for one, appreciate this, Strong Sound. It's easy to see the connection by simply looking at the Cover and the stated theme of "Art for the State." I look forward to reading this. Nice change from some of the other appreciated music mags offered here.

From the inside....

"Sibelius forged an identity for Finland that helped it win freedom and independence from its neighbours - and then in 1915 the music slowed, and a decade later it stopped. How much was the composer's long silence connected to the absence of a nationalist cause? Was he unhappy with the new democratic nation that his art had forged from folk tradition and forest? Paul Griffiths reviews a "rich and dynamic biography" of a very public life in music. Andrew Kahn considers issues of the artist and the State on the other side of the Iron Curtain, through the lives of Joseph Brodsky and Czeslaw Milosz (below), artists whose lyric poetry both elevated them to positions of political authority and imposed huge personal costs."

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