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Jon V Audio FirComp 2 (Ultra Clean Compressor / Limiter) v2.2.8/2.2.9 VST3 AU LiNUX WiN MAC [FREE] screenshot
29/04/2025 | VST3 AU LiNUX WiN MAC | 11 MB
Ultra clean peak compressor/limiter with punchy attack, musical release, and optional lookahead smoothing, for tracks or busses. Zero/low latency and low CPU.

Features
Fast or same-sample attack times that never sound "clicky", even in zero latency mode
Even cleaner than Fircomp 1. Both can be used side-by-side
Innovative digital envelope detection allows for much lower distortion than typical peak compressors, without overshoot or lag
Optional lookahead FIR gain smoothing for an even cleaner sound
Shape-able release stage with musical, highly history-dependent behaviour. Avoids use of multiple compressors in series!
Sidechain hipass filter and external sidechain ability
Easy stereo options with stereo link and balance
Mid / side processing mode
Perceived loudness metering, with easy makeup gain and balance snapping
Switchable vertical or horizontal gain reduction metering, with adjustable range
Quick loading of presets, bucket comparison system
Make it yours, with a resizable GUI, customizable colours and background image!
Low CPU, fully 64-bit DSP code, making full use of SSE instructions. Insert on every track without a second thought!
Zero latency with lookahead off. With lookahead on, compensated latency of 1.5ms
No phase shift or change in frequency response of the audio signal

System Requirements
VST3 for Windows, Intel/M1 64-bit VST3 for Mac OSX 10.13+, and Intel/M1 64-bit Audio Unit (AU2) for Mac OSX 10.11+. A Linux x64 version is available to download, but is not officially supported and is for testing purposes only.

Full version. Just install





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comments

  Contributor 18.05.2021 2225 2192
+61140
Rapidgator | KatFile | NitroFlare
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  Member 14.12.2021 1246
+857
  Resident 21.06.2018 501 16796
+10074
Rapidgator | Filespayouts
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  Member 28.04.2025 12
+3
The cleanest compressor in the game!! No coloration even at extreme settings. Been using it since Dan Worrall mentioned it.
  Member 13.01.2024 45
+6
Yes I agree absolutely, I have Weiss, TDR, DMG, RJ Studios & many more, the only one I want not on the list is MDWDRC2 which is its own thing. I almost abandoned my quest for the ultimate analog emulations after getting this.
  Member 10.11.2024 18
+4
was its v2 always free?
  Resident 28.09.2015 1 342
+289
No, just since yesterday.
  Contributor 18.05.2021 2225 2192
+61140
@bszp
No. it was always paid.
and you could still buy it
https://jonvaudio.com/fircomp2/
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  Resident 24.07.2019 15 1016
+875
It says that only the Linux VST3 version is free, so I don't think that the Win and Mac versions are supposed to be here in the Archives section. Upload them in the Fresh releases section instead.
  Contributor 18.05.2021 2225 2192
+61140
Since on gumroad page it says 'pay what you want' including free, i couldn't upload it to the fresh section by the rules
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  Resident 24.07.2019 15 1016
+875
I see. I had no idea it had become a "pay what you want" plugin! Nice catch
  Resident 28.09.2015 1 342
+289
I bought it yesterday for 0 Euro.
  Member 19.11.2018 23
+9
I have purchased it the next day it was released and use it much since then. Love to use it for "second line" instruments to make them sound more even and less protruding. I find it's no-specific-character clean sound ideal for this purpose. Also works nice as a subgroup limiter.
  Resident 24.07.2019 15 1016
+875
Same here. Been mostly using it during tracking for its 0 sample attack feature and as a clean vocal comp, but it's almost as versatile as Pro-C 2 and similar comps. If he releases FirComp3 I'll definitely buy it as well.
  Member 19.11.2018 23
+9
For vocals and other "first line" sound sources I mostly use TDR Kotelnikoff, which I've found the most versatile and predictable comp for me. As opposite to FirComp it does have a character (one of many depending on tuning, but some one always is always present). So these two are a wonderful pair (that covers 99% of my single-band dynamics needs).
  Resident 15.09.2011 1 3913
+1578
Workhorse of a compressor. Nice and clean, easy to use, esp. v1. I usually use v1 for tracks and v2 for buses. I compress sounds with hardware first, so further compression, if needed, is best done with a clean digital one like this.
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