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Robbert Van Der Helm NIH-plug Bundle v06.2024 Win Mac Linux [FREE] screenshot
FREE | Win Mac Linux VST3 Clap| 116 MB
NIH-plug is an API-agnostic audio plugin framework written in Rust, as well as a small collection of plugins. The idea is to have a stateful yet simple plugin API that gets rid of as much unnecessary ceremony wherever possible, while also keeping the amount of magic to minimum and making it easy to experiment with different approaches to things. See the current features section for more information on the project's current status.

Plugins:

Check each plugin's readme file for more details on what the plugin actually does. You can download the development binaries for Linux, Windows and macOS from the automated builds page. Or if you're not signed in on GitHub, then you can also find the latest nightly build here. You may need to disable Gatekeeper on macOS to be able to use the plugins.

Scroll down for more information on the underlying plugin framework.

Buffr Glitch is the plugin for you if you enjoy the sound of a CD player skipping This plugin is essentially a MIDI triggered buffer repeat plugin. When you play a note, the plugin will sample the period corresponding to that note's frequency and use that as a single waveform cycle. This can end up sounding like an in-tune glitch when used sparingly, or like a weird synthesizer when used less subtly.

Crisp adds a bright crispy top end to any low bass sound. Inspired by Polarity's Fake Distortion video.

Crossover is as boring as it sounds. It cleanly splits the signal into two to five bands using a variety of algorithms. Those bands are then sent to auxiliary outputs so they can be accessed and processed individually. Meant as an alternative to Bitwig's Multiband FX devices but with cleaner crossovers and a linear-phase option.

Diopser is a totally original phase rotation plugin. Useful for oomphing up kickdrums and basses, transforming synths into their evil phase-y cousin, and making everything sound like a cheap Sci-Fi laser beam.

Loudness War Winner does what it says on the tin. Have you ever wanted to show off your dominance by winning the loudness war? Neither have I. Dissatisfaction guaranteed.

Puberty Simulator is that patent pending One Weird Plugin that simulates the male voice change during puberty! If it was not already obvious from that sentence, this plugin is a joke, but it might actually be useful (or at least interesting) in some situations. This plugin pitches the signal down an octave, but it also has the side effect of causing things to sound like a cracking voice or to make them sound slightly out of tune.

Safety Limiter is a simple tool to prevent ear damage. As soon as there is a peak above 0 dBFS or the specified threshold, the plugin will cut over to playing SOS in Morse code, gradually fading out again when the input returns back to safe levels. Made for personal use during plugin development and intense sound design sessions, but maybe you'll find it useful too!

Soft Vacuum is a straightforward port of Airwindows' Hard Vacuum plugin with parameter smoothing and up to 16x linear-phase oversampling, because I liked the distortion and just wished it had oversampling. All credit goes to Chris from Airwindows. I just wanted to share this in case anyone else finds it useful.

Spectral Compressor can squash anything into pink noise, apply simultaneous upwards and downwards compressor to dynamically match the sidechain signal's spectrum and morph one sound into another, and lots more. Have you ever wondered what a 16384 band OTT would sound like? Neither have I.


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comments

  Member 12.12.2023 312 1799
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  Resident 15.11.2020 299
+63
Excellent & real approach to what a real producer's virtual environment workshop should be. As a Windows & Mac user I really celebrate this for Linux.
  Resident 25.12.2017 6 1946
+720
Lack of an EQ here isn't an issue, as the Buffr Glitch that mimics "the sound of a CD player skipping," is only surpassed by the Puberty Simulator as far as utilitarian plugins go. Linux users should be pleased, but not as half pleased as I am that there's finally someone around to let all of us plebs know what "should be" in a "real producer's" tool kit.
"Rap is a gimmick, but I'm for the Hip Hop, The Culture." ~ Method Man ~
  Resident 15.11.2020 299
+63
hahahahaaa, I'm just sayin' that most of the great graphic stuff is just unnecessary and eats lots of resources. There are great art jewels over there that pushes to almost everyone to upgrade graphic cards, processors, ram, or the entire machine just to satisfy the look of a vst which could be operated through b&w knobs or sliders. I know more than one producers which says that a well presented vst sounds better than a humble interface... Tons of deaf people everywhere tryin' to mix tracks through their eyes.
  Resident 25.12.2017 6 1946
+720
Nah, not really, not the devs who know what they're doing... and I'd be curious which companies you're talking about, unless you just mean the widely-known perpetrators.

I do fully agree with the "Tons of deaf people everywhere tryin' to mix tracks through their eyes," bit though. I'm just OCD enough that I get distracted by EQs with graphs, because it bothers me if the curves don't look proper. I can do short bursts of precision work with them, but I prefer strictly knobs.
"Rap is a gimmick, but I'm for the Hip Hop, The Culture." ~ Method Man ~
  Resident 15.11.2020 299
+63
I have several OCDs too hahahahaha, for example, looking at certain plugins shining like the Sun but destroyin' sound 🤣 ...Only perspectives, I'm sorry if I sounded arrogant, I really don't have the elements to be so.

I've found that AVX512 & SSE4 instructions needed by most of the newer famous VSTs/VSTi are mostly related to their graphic interfaces. When Neural Amp Modeler came out I've imagined a talent revolution giving us a whole universe of super-realistic sound processing which could let our machines process everything without bottlenecking our CPUs, a naive dream of a non reach musician.

Whatever, my complains are a nonsense, the magic is already everywhere to make music, great or not, it's up to everyone of us.

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