Ownhammer 412-MAR-CB for Nebula

Size: 1.06GB | 10/18/15
vandal-4-all

Impulse response library based on:

1970's Marshall "checkerboard" 1960B 4x12 cabinet
neutral tube power amp
Two 1971 16-ohm Celestion T1221 75-Hz cone "pre-Rola" 25-watt G12M's
26 mics, artist mixes, High, Mid, Low Gain, Phase Out mixes
top tier outboard ideally matched to mic type

412-GTR MAR-CB Pre-Rola M25

[File Formats]

Wave Audio (.wav)

Wave audio format IR's (.wav) are compatible with convolution reverb type loaders in recording software and outboard hardware units and are provided in:

24 bit resolution
44.1, 48, 88.2, and 96 kHz sample rates
mono and stereo (dual mono)
minimum phase transformed and non-minimum phase transformed ("raw")
200 and 500 ms decay tail lengths

For added convenience, .wav files appropriate for conversion or submission to the following platforms have been separated out and designated within the library structure:

Atomic Amplifire
Fractal Audio Systems hardware/software
Kemper Profiling Amp hardware
Two Notes hardware

[Microphones]

2011C
AE2500
Artist Mixes
Auxiliary
C414
e906
FatHead
i5
KM84
M88
M160
MA200
MD421m
MD421v
MD441
Mix-HG
Mix-LG
PO-Cut
PO-Fat
Mix-MG
PR20
PR30
R92
R121
SM15
SM30
SM45
SM57m
SM57v
SM7B
TC30
U70
VP88

For more information please see the PDF Manual.



[Outboard Gear]

Power Amplification:

neutral tube amp

Conversion:

Prism Orpheus

Microphone Amplification:

Classic API VP28 with vintage Huntington era API 2520's (for dynamic mics)
BAE 1073mp (for condenser mics)
Chandler TG Channel (for ribbon mics)

Cables:

Vovox Sonorus

[Prism Orpheus]

[BAE 1073mp]
[Classic API VP28]

[Chandler Limited TG Channel]

Far Field captures were obtained with neutral reference equipment - powered by a Bryston solid state amplifier, with mics amplified through an Earthworks ZDT preamp.

[Speakers]

M-PR25-A

Based on a 1971 16-ohm Celestion T1221 75-Hz cone "pre-Rola" 25-watt G12M.
Forward, with a lively top end.

M-PR25-B

Based on a 1971 16-ohm Celestion T1221 75-Hz cone "pre-Rola" 25-watt G12M.
Smooth and warm, with a round bell like tonality.

M25-MIX

A combination of M-PR25-A and M-PR25-B to bring the best of both worlds.


[IR Captures]

23 different mics • 11 positions each
3 additional off axis SM57m variations • 11 positions each
High Gain, Mid Gain, Low Gain, Phase Out Cut, Phase Out Fat mixes • 11 positions each
25 Auxiliary IR's • Far Field, Floor, Mid Field, Rear, Room, Sub
5 artist mixes

2 speakers (M-PR25-A & M-PR25-B) and 1 multi-speaker hybrid (M25-MIX)

Total amount of captures = 1,113 IR's