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Arturia Augmented YANGTZE v1.0.0 U2B Mac [MORiA]REQ: Eventide H3000 Factory Mk II WiNGForce DMX v1.0.0-TeamCubeadoobySpitfire Audio Aperture Orchestra KONTAKTSpitfire Audio Aperture Strings KONTAKTOverloud TH-U Premium v1.4.26 CE-V.RJon Meyer PostFelt KONTAKT-ohsie

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Опрос

Your Primary Genre
Soundtracks - 766 (5.23%)
5.23%
Pop, R&B, Funk - 1282 (8.76%)
8.76%
Rock, Metal - 2135 (14.58%)
14.58%
Rap, Hip Hop - 2979 (20.34%)
20.34%
Jazz, Classical - 533 (3.64%)
3.64%
World, New Age - 140 (0.96%)
0.96%
Avant-Garde - 159 (1.09%)
1.09%
Folk, Country - 121 (0.83%)
0.83%
Ska - 29 (0.2%)
0.2%
Electronic (general) - 3114 (21.27%)
21.27%
- Ambient, Lounge - 290 (1.98%)
1.98%
- Club, Dance - 436 (2.98%)
2.98%
- D&B - 500 (3.41%)
3.41%
- House - 1245 (8.5%)
8.5%
- Trance - 656 (4.48%)
4.48%
- Industrial - 258 (1.76%)
1.76%

14643 votes

audiosex feed

How do I make this sound inside my computer? How to mix bass correctly? $2 Sale: AAS, MTM, NUGEN, PA, IK, NI New slap house song , any feedback is appreciated. Transition from Sonar to Reaper Kontakt Libraries detected but not Appearing What are you listening to now? Searching Ensoniq Sound Library Karlheinz Stockhausen speaks the truth Lumina - odd artifacts

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fresh releases

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New and fascinating: DECIDUOUS FORESTS is our eighth SFX library from our remarkable series of high quality nature recordings by Emmy-winner and nature recording genius Gordon Hempton. He has searched the globe for more than three decades to record nature at its most pristine.
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CONIFEROUS FORESTS is a breathtaking experience through and through. Massive conifers towering to untold heights, forming some of the most majestic natural cathedrals this planet has to offer, create auditory atmospheres as amazing as the forest is to behold.
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Arranging 1: Rhythm Section explores all aspects of writing and arranging for the rhythm section. Part of Berklee's required core curriculum, this music arrangement course will teach you how to write for the rhythm section (drums, bass, guitar, and keyboards) and create killer arrangements that really groove. This music arrangement course also directs you on everything you'll need to create an effective arrangement; including rhythm section notation, adaptation of the melody and chords, intros and endings, articulations and dynamics, and how to create an emotional contour throughout the arrangement. Arranging 1: Rhythm Section is essential learning for anyone interested in arranging music for a band, you'll discover how to pick and choose the techniques that work best for you, and how to put them all together in a way that will get everyone moving!
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Learn more advanced arranging techniques for the rhythm section and horn section in this music arrangement course. In Arranging: Advanced Horn Writing, you'll learn unison, two-, three-, four-, and five-part writing, and study techniques for voicing chords, orchestration, articulations, and background lines. You'll also learn advanced topics of harmony, such as tension substitutions and lower interval limits, knowledge that you can use to create more expressive and captivating music for both live instrumentation or sequenced/sampled sounds.
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Whether you are writing for jingles, soundtracks, or pop songs, knowing how to write/arrange for smaller bands and larger ensembles is crucial to your success. Arranging: Small Ensemble and Horns explores the properties of the trumpet, trombone, and alto, tenor, and baritone saxophones and approaches the techniques and melodic embellishments that will give you a basic understanding of writing/arranging for these horns as a section. In this music arrangement course, you will focus on applying writing processes for two-, three-, four-, and five-part horn combinations; skills that can be applied to both live instrumentation and sampled or synthesized sounds. You really can't write effective sequenced parts without knowing what real players would characteristically play on these instruments. This music arrangement course will provide you with a greater understanding of the possibilities and sounds that the horns as a section can add to your arrangement.
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Arranging: Woodwinds and Strings—the most advanced music arrangement course offered by Berklee Online—provides a simple, straightforward, and in-depth approach to this high level material. Throughout the course you'll gain a true understanding of the sound and personality of woodwind and string instruments, and learn how to apply them in a variety of commercial music settings, such as television and film.
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Counterpoint is the technique of writing independent melodic lines that work together to create effective music. This linear perspective has influenced some of the most popular songs and artists in the 20th century, including the music of the Beatles, Beach Boys, Pink Floyd, David Bowie, and many other contemporary artists—even in the sampling techniques of hip-hop and techno. The study of Counterpoint is essential knowledge for songwriters, composers, and musicians who want to strengthen their compositional skills.
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In recording studios, sound stages, and rehearsal halls, singers need simple, straightforward, effective arrangements that they can grasp and perform quickly. This music arrangement course is designed specifically for students who want to write vocal charts for music industry professionals that are easy to understand, cleanly written, and musically satisfying.
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Whether breathing new life into a standard, or making a newly written tune truly unique, the jazz arranger’s vision influences every aspect of the listener’s experience. Jazz Arranging explores techniques that will allow you to write effective jazz arrangements for all types of instrumental combinations.
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Jazz composition is a rich 100-year tradition that covers everything from the majestic and highly detailed constructed compositions of Duke Ellington and others, to loose, spontaneous creations of melody over a one-chord vamp. This course focuses on the most common type of jazz composition—the “short form,” which has been the essence of jazz repertoire since the beginning. It is flexible enough to include blues and several standard song forms, as well as variations and combinations of them.

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REQ: 8Dio Instant Electric Guitar Bundle screenshot
8DIO Electric Guitar Series – a studio collection of high-end deep-sampled electric instruments. This library contains both Electric Guitar Solo and Electric Guitar Strummer – allowing you to play completely realistic electric guitar. The Solo and Strummer editions were recorded with the same instrument and amplifier, so they are 100% compatible and designed to be used together.
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REQ: MAAT thEQorange Mac OSX screenshot
A Dream Come True
Many mastering engineers, including MAAT founder Friedemann Tischmeyer, were fans of Algorithmix’s legendary original Linear Phase PEQ Orange. Unfortunately, the Algorithmix EQs were available only as 32 bit VSTs for PC and our workstations and our industry has evolved since then. Tischmeyer’s students repeatedly asked for alternatives, which caused him to scan the market for other high class EQs. Colleague Bob Katz recommended EQuilibrium, an insanely versatile tool, which Tischmeyer used for teaching. However, he could not find a satisfying alternative which would take the place of his original PEQ Orange.
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Hi, I think this is an interesting than simple tool, it turns the computer into a simple sampler using the computer keyboard to trigger the sounds chosen for each key of the keyboard, with ASIO and multichannel devices support.
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'Omni Max' features over 800 presets for Spectrasonics's Omnisphere 2.

Using Omnisphere’s massive collection of samples in combination with Omni’s granular synthesis engine, Omni X features a huge array of traditional acoustic instruments from around the world, circuit bent synths, pyschoacoustic FX, hybrid textures, deeply immersive soundscapes and much more.
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'Complete Diva' features 484 presets for U-he's Diva synthesizer.

This bundle covers a vast amount of sonic territory , and includes haunting lead sounds , dystopian soundscapes , ethereal pads , FM bells , stacked choral pads , overdriven synth sequences , cascading digital pads , futuristic textures , epic symphonic pads , cone shaking sub basses , classic pluck sounds , wide unison trance pads , dirty funky basses , screaming unison leads , 80s brass stabs , super saw sounds and , of course , a whole lot more .
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UBER-OBER For bx_oberhausen



The Oberheim SEM was one of those great synthesizers that truly had a distinctive sound.
The name SEM stands for Synthesizer Expander Module and was Oberheim's first analog synthesizer.
The SEM was fully-analog with discrete circuits. The state-variable 2-pole filter had a distinctive bite to it.

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