REQ: Millertone Soundware Syndr Vol. 1
An interesting looking Kontakt Instrument/library of the Synare, kind of pricey . . . . It would be nice to try. It looks pretty good in terms of actually using it as a pseudo Synare VST, but the samples are probably good, too . . .
INFO:
SYNDR v1 multi-sample library for Native Instruments Kontakt puts the beauty and warmth of the true analog classic Synare PS-3 drum synthesizer into the hands of the modern music producer. Venturing well beyond the ubiquitous synth-tom sounds of the 70's, SYNDR volume 1 offers dozens of drum, percussion and fx kits and menus, as well as a complete arsenal of chromatic instruments (basses, lead synths, keys, percolating sequence synths, etc...). Entire tracks can be produced using SYNDR volume 1 and nothing else.
SYNDR v1 offers a broad sonic palette, with over 8600 samples captured from the Synare's self-oscillating filter sine waves, square waves, noise, oscillators with the pitch and/or filter LFO modulated by the square wave, deep resonating filters and more. Each sound was recorded at 8 velocity levels and at multiple decay settings. In order to record with absolute consistency, sounds were triggered via pulses generated by MIDI events in a DAW, directly into an external trigger input retrofitted to the Synare.
INFO:
SYNDR v1 multi-sample library for Native Instruments Kontakt puts the beauty and warmth of the true analog classic Synare PS-3 drum synthesizer into the hands of the modern music producer. Venturing well beyond the ubiquitous synth-tom sounds of the 70's, SYNDR volume 1 offers dozens of drum, percussion and fx kits and menus, as well as a complete arsenal of chromatic instruments (basses, lead synths, keys, percolating sequence synths, etc...). Entire tracks can be produced using SYNDR volume 1 and nothing else.
SYNDR v1 offers a broad sonic palette, with over 8600 samples captured from the Synare's self-oscillating filter sine waves, square waves, noise, oscillators with the pitch and/or filter LFO modulated by the square wave, deep resonating filters and more. Each sound was recorded at 8 velocity levels and at multiple decay settings. In order to record with absolute consistency, sounds were triggered via pulses generated by MIDI events in a DAW, directly into an external trigger input retrofitted to the Synare.