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Visual Orchestration #3: Doing The Basic Virtual Orchestral Mix includes:

Ten video lectures totaling approximately 4.2 hours of instruction;
17 Impulse Responses from Numerical Sound featuring 10 Early Reflections, 4 Reverb Tails and 3 TILT Filters (these will be emailed to you separately by Numerical Sound);
Supplemental course PDFs with supporting material;
BONUS PDFs: 1) For owners of LA Scoring Strings v1-1.5; 2) For Vienna Suite FORTI/SERTI owners; 3) For Verb Session owners (see below for details).

About Visual Orchestration™ #3: Doing The Basic Virtual Orchestral Mix

Visual Orchestration™ #2: Articulations and Templates taught you how to setup the basic virtual orchestral mix through effective setup of your template.

Visual Orchestration™ #3: Doing The Basic Virtual Orchestral Mix is the next step with this hands-on video lecture course. The course is aimed at those who create with orchestral sample libraries, and also for those with some recording training, but who’ve had little to no background in mixing virtual orchestral sample libraries.

So what do we mean by the “Basic” virtual orchestral mix?
In the virtual orchestral world, I've defined two types of virtual orchestral mixes. The first is basic, the second is advanced. The “basic mix”, our sole focus for this course, is either a single library recorded in the same room, or a mixture of libraries that are being combined in the same template but not layered. An “advanced mix” is where, for example, you might create a violin section by layering two or more different libraries playing the same line. We will not be covering the “advanced mix” in this course.

The teaching idea behind Visual Orchestration 3
The teaching approach is recognizing that you’re recording with that which has been previously recorded, and that no two orchestral libraries from different developers have been recorded in the same location. As each library has its own set of early reflections and RT60s (reverb decay time), the challenge when combining different libraries in your template is how to get everyone sounding like they’re performing in the same room and, as best as possible, sounding like a single orchestra.

Once you buy two orchestral libraries from different companies, you also have to learn how to spatially place them stage left to stage right and stage front to stage rear. In Visual Orchestration #3 we’ll look at some of the tools and techniques needed to tackle these mixing issues and you’ll learn how to work with the included Impulse Responses (IRs) from Numerical Sound to work toward getting a good professional sound. You’ll apply the concepts you’ll learn to your own compositions. The learning principle is this: we teach, you do!


Numerical Sound Impulse Responses (IRs) Included With Course
Visual Orchestration #3 comes with 17 Impulse Responses in 44.1 kHz created exclusively for this course by Numerical Sound in Canada. You can load these into whatever convolution reverb comes with your sequencing program. You get:

5 sets of Early Reflections with one short and one medium length ER per set (10 ERs total) similar to where major sample libraries or film scores have been recorded;
3 TILT Filters that apply a darker EQ to the majority of virtual orchestral instruments to aid in spatial placement stage front to stage rear;
4 Reverb Tails covering the small studio up to a larger recording studio (0.85s - 2.5s RT60).

The 10 Video Lectures in Visual Orchestration #3: Doing The Basic Virtual Orchestral Mix
Visual Orchestration #3 has ten video lectures with selected audio demonstrations included in the videos plus a separate audio files folder for Lecture 10 on Reverb. Audio demos focus on the String Section. You’ll apply the teaching points given for the rest of the orchestra to your own compositions. For easy reference for you, supporting PDFs are included with links to the various orchestral libraries and software we’ll look at in the videos, plus additional resources. (Course PDFs are updated roughly once a year to keep their contents up to date)


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