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REQ: RockRuepel COMP.TWO WIN screenshot
Modern Tube Compressor


Vari-MU = Vari-Glue
The COMP.TWO plugin is a faithful emulation of the German-built hardware compressor by Rockruepel (Rock-bully in English). It is an all-tube vari-mu design, meaning there are no transistor stages in the circuit. Ideal for adding glue to your mix.

REQ: RockRuepel COMP.TWO WIN screenshot

The Rockruepel History
Oliver Gregor, soldering iron in hand, has been building all sorts of machines since kindergarten. It is during his tenure as a tech at Skyline Studios in Düsseldorf that his love for music and electrical engineering merged into a relentless quest for creating the best audio equipment.

Oliver's focus on tube circuitry led him to explore how to elevate vari-mu compressor designs to meet the needs of the modern workflow and 21st-century sonics. He quickly realized that to be the most useful, a modern tube compressor had to be faster, have higher headroom, and have a more extensive feature set than what was available. The COMP.TWO is the logical evolution of COMP ONE and the culmination of 20 years of research, development, testing, and incorporation of user feedback.

REQ: RockRuepel COMP.TWO WIN screenshot

Amp Only & Transformers
The appeal of a compressor is as much the inherent sound of the unit as its ability to compress material. Using the same type of output tubes as the old Altec and RS124 compressors and with beautifully sounding Sowter transformers in the output stage, the COMP.TWO is also a great vibe box, with or without compression.

When PROCESS AUDIO's owner, Fab Dupont, first tried the original COMP ONE hardware years ago, he immediately requested to be able to use the compressor just as a tone box. Rockruepel added the AMP ONLY feature, and it's there on the COMP.TWO.

REQ: RockRuepel COMP.TWO WIN screenshot

One+Time=Two
A compressor is only as useful as its side chain is smart and flexible. Through years of refinement Oliver made sure that COMP.TWO has none of the limitations of traditional monolithic vari-mu circuits and can be as clean or as dirty as you need, as fast as an 1176 or as slow as a Fairchild, all with the texture and tone of a classic tube compressor.

REQ: RockRuepel COMP.TWO WIN screenshot

Modern Controls
The team at PROCESS.AUDIO captured and recreated every nuance of the hardware and added its signature set of controls, like the Console Remote which lets you control all instances of the COMP.TWO plugin from a central interface, MS capabilities, high-pass filter on a sidechain, DRY/WET control, and of course, lots of presets designed by world-class producers and mixers.

REQ: RockRuepel COMP.TWO WIN screenshot

Visualisation
Compression can be tricky to perceive, so PROCESS.AUDIO created a visually pleasing and easily readable gain reduction visualizer to aid in precise gain matching and provide a true understanding of the impact of the settings on the program material. That's in addition to faithfully recreating the two gorgeous VU meters of the hardware units.

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comments

  Resident 27.05.2022 37 678
+2350
Looks like MagicDeathEye might have a competitor
  Resident 27.05.2022 37 678
+2350
What does ilok have to do with the way a plugin sounds?
  Resident 29.11.2020 29 3021
+3072
"iLok plugins tend to be more 3D and have a lot of depth, like Slate plugins"
  Moderator 21.01.2012 2361 16057
+161277
Yes, specially the old iLok versions, they sound more warm...

I have a collection of vintage iLok keys, now they cost double as new, specially because of this.

  Member 27.05.2023 16
+3
Yeah well.... Since this doesn't have the iLok hardware, it better have decent oversampling so that it doesn't alias!
  Member 16.07.2018 59
+3
We need this one

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