REQ: PSP Audioware PSP 608 MD Multi-Tap Delay 1.7.2 (macOS)
PSP 608 MD is perhaps the most fully featured delay plug-in available on the market. We designed this plugin to offer you a creative tool that is not only functional, but also deeply inspiring.
Each tap has selectable feedback, stereo image and position, delay time, multimode filter, modulation, drive/tape saturation, and reverb. Moreover, the feedback and drive can be placed at the beginning or end of the signal chain for even more sound design options!
The modulation section consists of both an LFO and Envelope follower, and the tape saturation algorithm is taken from our renowned mastering processors. And, of course, all this can be done at any bit depth and sample rate up to 24-bit, 192kHz, and be fully automated via MIDI and any host sequencer.
Features
Up to 8 seconds of delay time per channel
Continuous control over the delay time in milliseconds and/or chosen quantized note value
Three operation modes: Multidelay, in which each tap has its own feedback buffer; Multitap, in which the Master Feedback operates on one (user selectable) tap; and MultiFB, where switches toggle the tap off and do not switch the feedback signal off
Each tap includes independent adjustment of the gain, stereo field width and balance, delay time, filtering, modulation, saturation simulation and reverberation
Each tap can use multiple quadruple biquadratic filter types, including: Low Pass, Band Pass, High Pass, Peak filter and four different Shelf filters
Modulation section (LFO and envelope follower) with adjustable modulation depth of 3 octaves which can target the filter cutoff
Tape saturation simulation with adjustable gain based on the algorithm used in our mastering processors
Filtering module which includes LP, BP, HP filter (either State Variable Filter or Biquad) with adjustable cutoff and resonance
Vintage reverberation module for faithful simulation of spring and plate reverbs
Support for sample rates of up to 192kHz
Host and MIDI automation of all processing
Each tap has selectable feedback, stereo image and position, delay time, multimode filter, modulation, drive/tape saturation, and reverb. Moreover, the feedback and drive can be placed at the beginning or end of the signal chain for even more sound design options!
The modulation section consists of both an LFO and Envelope follower, and the tape saturation algorithm is taken from our renowned mastering processors. And, of course, all this can be done at any bit depth and sample rate up to 24-bit, 192kHz, and be fully automated via MIDI and any host sequencer.
Features
Up to 8 seconds of delay time per channel
Continuous control over the delay time in milliseconds and/or chosen quantized note value
Three operation modes: Multidelay, in which each tap has its own feedback buffer; Multitap, in which the Master Feedback operates on one (user selectable) tap; and MultiFB, where switches toggle the tap off and do not switch the feedback signal off
Each tap includes independent adjustment of the gain, stereo field width and balance, delay time, filtering, modulation, saturation simulation and reverberation
Each tap can use multiple quadruple biquadratic filter types, including: Low Pass, Band Pass, High Pass, Peak filter and four different Shelf filters
Modulation section (LFO and envelope follower) with adjustable modulation depth of 3 octaves which can target the filter cutoff
Tape saturation simulation with adjustable gain based on the algorithm used in our mastering processors
Filtering module which includes LP, BP, HP filter (either State Variable Filter or Biquad) with adjustable cutoff and resonance
Vintage reverberation module for faithful simulation of spring and plate reverbs
Support for sample rates of up to 192kHz
Host and MIDI automation of all processing