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REQ: Mastering In Music (ebook) [Routledge/Focal Press] screenshot
1st Edition
Mastering in Music
Edited By John Paul Braddock, Russ Hepworth-Sawyer, Jay Hodgson, Matthew Shelvock, Rob Toulson
Published December 30, 2020

Mastering in Music is a cutting-edge edited collection that offers twenty perspectives on the contexts and process of mastering.

This book collects the perspectives of both academics and professionals to discuss recent developments in the field, such as mastering for VR and high-resolution mastering, alongside crucial perspectives on fundamental skills, such as the business of mastering, equipment design, and audio processing.

Table of Contents
1 Introduction: Mastering Is Dead, Long Live Mastering (Hepworth-Sawyer & Matt Shelvock); Mastering: Practice; 2 The Creative Mastering Studio (Hinksman); 3 Surround + Immersive mastering (Legvold & Proper); 4 Towards a Definition of Compression Glue in Mastering (Moore); 5 Engineering Authenticity: The Aesthetics of DSP Modeling in Mastering Plugins (O’Connor); 6 Mastering For Streaming: Exploring a New Levelling Standard (Harker); 7 Mastering audio analysis: Teaching the art of listening (Braddock); Mastering: Music & People; 8 Interview with Darcy Proper (Toulson); 9 ‘Past’ Masters | Present Beats: Exponential Sound Staging as Sample-based (Re)Mastering in Contemporary Hip-hop Practice (Exarchos); 10 Remastering Sunnyboys (Bruel); 11 Mastering Success: A Roundtable Discussion with Early to Mid-Career Mastering Engineers (Hepworth-Sawyer); 12 Opinion piece - Peak-Fi – Have we reached the ultimate reproduction standards needed to make humans happy? (Herrod-Taylor); Mastering: Future; 13 The Shifting Discourse on Audio Mastering (Nardi); 14 Opinion piece - Loudness - the sales gimmick (Hodgson); 15 Audio Mastering Facing Automation: The Embracement of the Human (Whelan & Birtchnell); 16 Transformations and Continuities in the Mastering Sector (Collins et al.); 17 Mastering in Music: a conference, a discussion, and a ‘what-if’ – a manifesto for an encapsulated audio delivery format (Braddock & Hepworth-Sawyer); 18 Signature Mastering: New Sound Aesthetics in Post-Production and the New Role of Mastering (Lund)

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