REQ: Steve Stine’s Blues Licks Course
Hi Folks,
Steve stine is the most talented guitarist and teacher who can teach anything on earth at the moment. so do his blues licks course which i think is a must for every guitarist to master because blues is the basis of every music. i really cant afford at the moment. Today 1 doller is 200 times the value of our currency and it keeps increasing. Hope someone can upload this one in this quarantined home situation.
Stay safe and strong in your homes guys and practice more.
What You’ll Learn…
Module 1
How to tune your guitar the fast and easy way, so you can always sound your best when you play. (HINT: Being in tune is CRUCIAL.)
3 essential soloing skills every blues guitarist MUST know: hammer-ons, pull-offs, and trills. And how to perform them the “right” way, so your solos sound authentic from beginning to end.
How to perform a variety of string bends, like anchor bends, unison bends, and “blues” bends. And discover how B.B. King made his guitar “sing” with string bends.
How to create sweet-sounding vibrato and use it with any lick. So you can add a more “vocal” sound to your licks and solos.
The licks get gradually more challenging as you move along. But Steve will take it nice and slow in this first module. So you’ll have a strong foundation for every lick you learn in the course.
You’ll also start playing these licks over the jam tracks. And Steve will show you how to match them with the rhythm track to make sure you’re playing in the right key.
This is called “transposition.” And this is one the most important skills you can have as a guitarist.
Transposition is just a big, fancy word that means to change keys.
For example, let’s say you learn this lick in the key of A minor. But the song you want to solo over is in the key of G minor.
Well, you can’t play an A minor lick over a G minor song, or it’s going to sound like a train-wreck.
You’ll need to transpose the lick. So you’d move everything down two frets, which is a whole-step.
That’s called transposition. Just moving from one place to another so the lick matches the key of the song.
And here’s the amazing part...
There are twelve different keys.
Once you learn all 79 licks in the course and you understand how to transpose them...
You’ll be able to play 948 blues licks in twelve different keys.
Now, let me say that again, just in case you dozed off...
You’re going to learn 79 blues llicks in this course, right? And you’ll learn how to transpose them to all 12 possible keys for any song.
So, 76 licks X 12 keys equals 948 possible blues licks to use in your solos.
Pretty cool, right?
Module 2
Advanced bending techniques such as harmony bends, reverse bends and double stops. So you can add serious flavor and “twang” to your licks and take your solos to a whole new level.
How to add chromatic notes to major pentatonic licks. So you can create dynamic blues licks that sound amazing.
How to cross strings effectively and smoothly. Which means, you’ll play killer blues licks across multiple strings with confidence and precision.
Module 3
1 simple trick called “chord chasing.” And how you can use it to solo over ANY chord progression.
A smokin’ hot blues lick in the style of Stevie Ray Vaughan. And how to use this legendary bluesman’s techniques in your own playing.
Essential blues turnarounds, so you can play a complete blues progression from beginning to end.
Discover how finding the “root” note lets you play the same lick in any position. So you can solo with complete freedom... and confidence.
And you’ll supercharge your blues skills by learning...
Proper bending using two and three fingers
The right and wrong way move through scale-patterns
How to play the same lick in different octaves
How to play a lick vertically and horizontally
And how to use articulation to completely change the sound of lick
But don't worry. Because you’ll have the complete, note-for-note tab transcription. And you can pause the video anytime you want so you can go at you own pace.
Plus you’ll be able to see exactly where to place your fingers because all the video was recorded was two cameras, so there’s plenty of fretboard close-ups.
You’ll explore licks that use the:
7-note major and minor scales (sometimes called “diatonic”)
The pentatonic major and minor
The blues scale
Hybrid scales
And the Dorian mode
And you’ll learn simple ways to combine licks using all these scale-patterns, so you’ll have complete freedom in your solos.
You’ll also learn how to plan your solo from start-to-finish
How to be more expressive in your playing
How to avoid having your solo sound like a scale
And how to modify the licks to match the feel of a song...
For example, you might slow down a lick if you’re playing over a slow, minor blues.
And you’d play the exact lick in a completely different way if it’s a fast-paced, rock tune.
You’ll learn:
Alternate picking patterns
How to substitute the Dorian mode for the minor scale
How to use “blue notes” to give your solos a bluesy-feel
3-note per string licks
How to use chromatic notes to jazz-up your leads
And you’ll finish up with few advanced lead-techniques like...
Pinch-harmonics
Pick-slides
Two-string hammer-ons and pull-offs
And a few other goodies that you’ll have to see to believe...
Steve stine is the most talented guitarist and teacher who can teach anything on earth at the moment. so do his blues licks course which i think is a must for every guitarist to master because blues is the basis of every music. i really cant afford at the moment. Today 1 doller is 200 times the value of our currency and it keeps increasing. Hope someone can upload this one in this quarantined home situation.
Stay safe and strong in your homes guys and practice more.
What You’ll Learn…
Module 1
How to tune your guitar the fast and easy way, so you can always sound your best when you play. (HINT: Being in tune is CRUCIAL.)
3 essential soloing skills every blues guitarist MUST know: hammer-ons, pull-offs, and trills. And how to perform them the “right” way, so your solos sound authentic from beginning to end.
How to perform a variety of string bends, like anchor bends, unison bends, and “blues” bends. And discover how B.B. King made his guitar “sing” with string bends.
How to create sweet-sounding vibrato and use it with any lick. So you can add a more “vocal” sound to your licks and solos.
The licks get gradually more challenging as you move along. But Steve will take it nice and slow in this first module. So you’ll have a strong foundation for every lick you learn in the course.
You’ll also start playing these licks over the jam tracks. And Steve will show you how to match them with the rhythm track to make sure you’re playing in the right key.
This is called “transposition.” And this is one the most important skills you can have as a guitarist.
Transposition is just a big, fancy word that means to change keys.
For example, let’s say you learn this lick in the key of A minor. But the song you want to solo over is in the key of G minor.
Well, you can’t play an A minor lick over a G minor song, or it’s going to sound like a train-wreck.
You’ll need to transpose the lick. So you’d move everything down two frets, which is a whole-step.
That’s called transposition. Just moving from one place to another so the lick matches the key of the song.
And here’s the amazing part...
There are twelve different keys.
Once you learn all 79 licks in the course and you understand how to transpose them...
You’ll be able to play 948 blues licks in twelve different keys.
Now, let me say that again, just in case you dozed off...
You’re going to learn 79 blues llicks in this course, right? And you’ll learn how to transpose them to all 12 possible keys for any song.
So, 76 licks X 12 keys equals 948 possible blues licks to use in your solos.
Pretty cool, right?
Module 2
Advanced bending techniques such as harmony bends, reverse bends and double stops. So you can add serious flavor and “twang” to your licks and take your solos to a whole new level.
How to add chromatic notes to major pentatonic licks. So you can create dynamic blues licks that sound amazing.
How to cross strings effectively and smoothly. Which means, you’ll play killer blues licks across multiple strings with confidence and precision.
Module 3
1 simple trick called “chord chasing.” And how you can use it to solo over ANY chord progression.
A smokin’ hot blues lick in the style of Stevie Ray Vaughan. And how to use this legendary bluesman’s techniques in your own playing.
Essential blues turnarounds, so you can play a complete blues progression from beginning to end.
Discover how finding the “root” note lets you play the same lick in any position. So you can solo with complete freedom... and confidence.
And you’ll supercharge your blues skills by learning...
Proper bending using two and three fingers
The right and wrong way move through scale-patterns
How to play the same lick in different octaves
How to play a lick vertically and horizontally
And how to use articulation to completely change the sound of lick
But don't worry. Because you’ll have the complete, note-for-note tab transcription. And you can pause the video anytime you want so you can go at you own pace.
Plus you’ll be able to see exactly where to place your fingers because all the video was recorded was two cameras, so there’s plenty of fretboard close-ups.
You’ll explore licks that use the:
7-note major and minor scales (sometimes called “diatonic”)
The pentatonic major and minor
The blues scale
Hybrid scales
And the Dorian mode
And you’ll learn simple ways to combine licks using all these scale-patterns, so you’ll have complete freedom in your solos.
You’ll also learn how to plan your solo from start-to-finish
How to be more expressive in your playing
How to avoid having your solo sound like a scale
And how to modify the licks to match the feel of a song...
For example, you might slow down a lick if you’re playing over a slow, minor blues.
And you’d play the exact lick in a completely different way if it’s a fast-paced, rock tune.
You’ll learn:
Alternate picking patterns
How to substitute the Dorian mode for the minor scale
How to use “blue notes” to give your solos a bluesy-feel
3-note per string licks
How to use chromatic notes to jazz-up your leads
And you’ll finish up with few advanced lead-techniques like...
Pinch-harmonics
Pick-slides
Two-string hammer-ons and pull-offs
And a few other goodies that you’ll have to see to believe...