REQ: HAR-BAL 3.7 for MAC OSX
Match Loudness
Will match your track to the perceived loudness of any commercial recording you input into Har-Bal.
loudness-compensation
Loudness Compensation
Har-Bal leaves the initial volume level unchanged even after performing spectral correction (EQ changes) thanks to its “loudness compensation” algorithm.
intuitq
IntuitMatch and IntuitQ
“Eyes to the ears” is a more realistic slogan that we like. It does not mean give way to your eyes if your ears tell you everything you need.
dynamics-processing
Dynamics Processing
The dynamics processing in Har-Bal is based entirely on the average level envelope that you see in the time-line. You create a transfer function to map the input average level to a new output average level and Har-Bal uses it to figure out what gain to apply dynamically prior to the limiter at any point in time.
mid-side-decoding
Mid / Side Decoding
Our Mid / Side decoding is defined by the following equations: Mid = Left + Right Side = Left – Right You can see that with a mono source Side = 0 as Left = Right. So the level of the Side component relative the Mid component gives an indication of the stereo spread of your mix.
air
The New Air Tool
Har-Bal Air as it is now has been replaced with a more powerful and natural sounding Haas zone ambiance process. The ways you use it will is still the same but it will sound better and have a greater range of possibilities, one of which is stereo’ising mono sources.
Time Splitting
Imagine if you will a great recorded part of a vocal that explodes in volume on a couple of notes. Those out of control bursts of sounds will show up as excessive peaks in the peak spectrum trace but not in the average trace as they occur rather infrequently. Instead on manually trudging through the entire time trace to find the times at where those peaks occur you would use our tool based on placing a threshold line on the peak trace. Any time values with peaks above the line are selected and those below are not.
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Will match your track to the perceived loudness of any commercial recording you input into Har-Bal.
loudness-compensation
Loudness Compensation
Har-Bal leaves the initial volume level unchanged even after performing spectral correction (EQ changes) thanks to its “loudness compensation” algorithm.
intuitq
IntuitMatch and IntuitQ
“Eyes to the ears” is a more realistic slogan that we like. It does not mean give way to your eyes if your ears tell you everything you need.
dynamics-processing
Dynamics Processing
The dynamics processing in Har-Bal is based entirely on the average level envelope that you see in the time-line. You create a transfer function to map the input average level to a new output average level and Har-Bal uses it to figure out what gain to apply dynamically prior to the limiter at any point in time.
mid-side-decoding
Mid / Side Decoding
Our Mid / Side decoding is defined by the following equations: Mid = Left + Right Side = Left – Right You can see that with a mono source Side = 0 as Left = Right. So the level of the Side component relative the Mid component gives an indication of the stereo spread of your mix.
air
The New Air Tool
Har-Bal Air as it is now has been replaced with a more powerful and natural sounding Haas zone ambiance process. The ways you use it will is still the same but it will sound better and have a greater range of possibilities, one of which is stereo’ising mono sources.
Time Splitting
Imagine if you will a great recorded part of a vocal that explodes in volume on a couple of notes. Those out of control bursts of sounds will show up as excessive peaks in the peak spectrum trace but not in the average trace as they occur rather infrequently. Instead on manually trudging through the entire time trace to find the times at where those peaks occur you would use our tool based on placing a threshold line on the peak trace. Any time values with peaks above the line are selected and those below are not.
Buy Now