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Metric Halo (MHMBS) - CGII_v4.0.71.235 -X-Metric Halo (MHMBS) - DBVerb_v4.0.71.235 -X-Black Salt Audio Telos Drums v1.0.3-SEnkiZynaptiq BALANCE v1.0.2 -X-Toontrack Modern Retro EZX v1.0.1Sample Logic Morphestra Ultra v1.0 VST3 AU MAC/WiNZynaptiq INTENSITY 2.0 -X-

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Your Primary Genre
Soundtracks - 810 (5.14%)
5.14%
Pop, R&B, Funk - 1387 (8.8%)
8.8%
Rock, Metal - 2329 (14.78%)
14.78%
Rap, Hip Hop - 3190 (20.24%)
20.24%
Jazz, Classical - 568 (3.6%)
3.6%
World, New Age - 150 (0.95%)
0.95%
Avant-Garde - 166 (1.05%)
1.05%
Folk, Country - 131 (0.83%)
0.83%
Ska - 36 (0.23%)
0.23%
Electronic (general) - 3338 (21.18%)
21.18%
- Ambient, Lounge - 315 (2%)
2%
- Club, Dance - 470 (2.98%)
2.98%
- D&B - 556 (3.53%)
3.53%
- House - 1332 (8.45%)
8.45%
- Trance - 697 (4.42%)
4.42%
- Industrial - 282 (1.79%)
1.79%

15757 votes

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fresh releases

Education
Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human by Miriam Piilonen EPUB [EN] screenshot
2024 | Oxford University Press | ISBN: 9780197695289 | 2.4 MB | 168 Pages | EPUB
What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary theories? What were the values and limits of these evolutionist turns of thought, and in what ways have they endured in present-day music research? Theorizing Music Evolution: Darwin, Spencer, and the Limits of the Human is a critical examination of ideas about musical origins, emphasizing nineteenth-century theories of music in the evolutionist writings of Darwin and Spencer.
Software, Mac OSX
Voxengo OVC-128 v1.13 U2B Mac [MORiA] screenshot
MORiA | AU | VST | VST3 | 17.1 MB
Clipper Effect

Massively-oversampled soft/hard clipper effect plugin for contemporary music mastering and mixing. Offers you the best and cleanest clipper sound you can get. A good companion to a mastering limiter. A perfect combination for contemporary electronic music production is OVC-128 followed by Voxengo Elephant mastering limiter in the “EL-C” or “EL INS” mode. This combination produces both energy and smoothness. Clipping the tracks via OVC-128 is practically similar to clipping using high-quality outboard analog gear. At 44.1kHz source sample rate, the internal audio sample rate of OVC-128 is a whopping 5.6 MHz!

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