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Soundtracks - 766 (5.22%)
5.22%
Pop, R&B, Funk - 1282 (8.74%)
8.74%
Rock, Metal - 2138 (14.58%)
14.58%
Rap, Hip Hop - 2985 (20.36%)
20.36%
Jazz, Classical - 533 (3.63%)
3.63%
World, New Age - 141 (0.96%)
0.96%
Avant-Garde - 159 (1.08%)
1.08%
Folk, Country - 121 (0.83%)
0.83%
Ska - 29 (0.2%)
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Electronic (general) - 3120 (21.28%)
21.28%
- Ambient, Lounge - 290 (1.98%)
1.98%
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2.98%
- D&B - 501 (3.42%)
3.42%
- House - 1246 (8.5%)
8.5%
- Trance - 656 (4.47%)
4.47%
- Industrial - 259 (1.77%)
1.77%

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Education » Literary
Histories of Heinrich Schutz screenshot
2011 | ISBN: 0521197651 | English | 266 pages | PDF | 4 MB
Bettina Varwig places the music of the celebrated Dresden composer Heinrich Schütz in a richly detailed tapestry of cultural, political, religious and intellectual contexts. Four key events in Schütz's career - the 1617 Reformation centenary, the performance of his Dafne in 1627, the 1636 funeral composition Musikalische Exequien and the publication of his motet collection Geistliche Chormusik (1648) - are used to explore his music's resonances with broader historical themes, including the effects of the Thirty Years' War, contemporary meanings of classical mythology, Lutheran attitudes to death and the afterlife as well as shifting conceptions of time and history in light of early modern scientific advances.
Education » Literary
The Heebie-Jeebies at CBGB's - A Secret History of Jewish Punk screenshot
Language: English | 2006 | ISBN: 155652613X | 272 pages | PDF | 2,8 MB
In this welcome addition to the annals of punk, journalist Beeber does a commendable job of illuminating the Jewish backgrounds of many of punk's pioneers, including Joey Ramone (Jeffrey Hyman), Tommy Ramone (Tamas Erdelyi), as well as Lou Reed, Lenny Kaye, Blondie's Chris Stein, CBGB owner Hilly Kristal right up to the heir-apparent to the Jewish-punk crown, the Beastie Boys. The scene was centered in 1970s New York's Jewish Lower East Side, so it's fitting that punk might have a strong Jewish tradition.
Education » Literary
The Cambridge Companion to Brahms screenshot
1999 | ISBN: 0521485819 | English | 348 pages | EPUB | 8 MB
This Companion gives a comprehensive view of the German composer Johannes Brahms (1833-97). Twelve chapters by leading scholars and musicians provide systematic coverage of the composer's life and works. Their essays represent the latest research and reflect changing attitudes toward a composer whose public image has long been out of date. The volume as a whole is an important addition to Brahms scholarship and provides indispensable information for all students and enthusiasts of Brahms's music.
Education » Literary
Resounding Afro Asia Interracial Music and the Politics of Collaboration screenshot
English | ISBN: 0199377405, 0199377413 | 2016 | 248 pages | PDF | 17 MB
Though cultural hybridity is celebrated as a hallmark of U.S. American music and identity, hybrid music is all too often marked and marketed under a single racial label.Tamara Roberts' book Resounding Afro Asia examines music projects that foreground racial mixture in players, audiences, and sound in the face of the hypocrisy of the culture industry. Resounding Afro Asia traces a genealogy of black/Asian engagements through four contemporary case studies from Chicago, New York, and California: Funkadesi (Indian/funk/reggae), Yoko Noge (Japanese folk/blues), Fred Ho and the Afro Asian Music Ensemble (jazz/various Asian and African traditions), and Red Baraat (Indian brass band and New Orleans second line).
Education » Literary
Dance as Text: Ideologies of the Baroque Body screenshot
English | 2015 | ISBN: 0199794014 | 272 pages | PDF | 6,5 MB
Dance as Text: Ideologies of the Baroque Body is a historical and theoretical examination of French court ballet over a hundred-year period, beginning in 1573, that spans the late Renaissance and early baroque. Utilizing aesthetic and ideological criteria, author Mark Franko analyzes court ballet librettos, contemporary performance theory, and related commentary on dance and movement in the literature of this period. Examining the formal choreographic apparatus that characterizes late Valois and early Bourbon ballet spectacle, Franko postulates that the evolving aesthetic ultimately reflected the political situation of the noble class, which devised and performed court ballets.

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