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REQ: Synapse Audio The Legend HZREQ: Eventide H3000 Factory Mk II WiNREQ: Vengeance Producer Suite Avenger v2.1.1Spitfire Audio Aperture Orchestra KONTAKTSpitfire Audio Aperture Strings KONTAKTHeavyocity Damage 2 v1.1.0 KONTAKT-FANTASTiCPerformance Samples Vista KONTAKT

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Опрос

Your Primary Genre
Soundtracks - 766 (5.22%)
5.22%
Pop, R&B, Funk - 1282 (8.74%)
8.74%
Rock, Metal - 2137 (14.58%)
14.58%
Rap, Hip Hop - 2984 (20.35%)
20.35%
Jazz, Classical - 533 (3.64%)
3.64%
World, New Age - 141 (0.96%)
0.96%
Avant-Garde - 159 (1.08%)
1.08%
Folk, Country - 121 (0.83%)
0.83%
Ska - 29 (0.2%)
0.2%
Electronic (general) - 3120 (21.28%)
21.28%
- Ambient, Lounge - 290 (1.98%)
1.98%
- Club, Dance - 437 (2.98%)
2.98%
- D&B - 501 (3.42%)
3.42%
- House - 1246 (8.5%)
8.5%
- Trance - 656 (4.47%)
4.47%
- Industrial - 259 (1.77%)
1.77%

14661 votes

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I miss R2R Does someone know where to get these keyboard shelf rails? FS:(Updated May 7) Inphonik,Melda,Izotope, AAS,IK Multimedia,MTM,Tracktion,UA,GForce, NI, Pulsar Airwindows Releases Consolidated Multi-format Ecosystem Kontakt Wallpaper Request & Comments Logic Pro 11 coming May 13,2024 Just installed Omnisphere, but it won't accept STEAM folder location. Any help? What are you listening to now? Looking for Omnisphere crack, anyone got it? MIDI channel routing from the Grid to separate channels

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Education » Methods
Peter Vogl - Let's Jam Blues & Rock screenshot

English | 16 pages | PDF + MP3 | 62 Mb

Let’s Jam! Blues & Rock by Peter Vogl features 16 high quality jam tracks, including tunes from the Rock Guitar and Blues Guitar Deluxe Editions. Recorded “live” by top studio musicians from the Southeast, you get the impression of being surrounded by the band. The extended jams (3 to 4 minutes each) are in a wide variety of keys and grooves, allowing you to play any style. A helpful 16 page instruction booklet with rhythm charts and soloing tips for each song is also included. Use this exciting and fun tool to improve soloing and improvisation skills for guitar, bass, keyboards, drums, saxophone, and vocals.
Education » Methods
Peter Vogl - Let's Jam Jazz & Blues screenshot

English | 16 pages | PDF + MP3 | 65 Mb

Let’s Jam! Jazz & Blues by Peter Vogl features 21 dynamic jam tracks of jazz & blues music. Recorded “live” by top studio musicians from the Southeast, you get the impression of being surrounded by the band. The extended jams (3 to 4 minutes each) are in a wide variety of keys and grooves so that you can practice different soloing concepts. A helpful 16 page booklet with rhythm charts and soloing tips for each song is also included. Use this exciting and fun tool to improve soloing and improvisation skills for guitar, bass, keyboards, drums, saxophone, and vocals.
Education » Literary
Baat Niklegi toh Phir: The Life and Music of Jagjit Singh by Sathya Saran screenshot
ENG | PDF | EPUB | 40 MB
Jagjit Singh was more than just the king of ghazals. He was a singer, composer, arranger, lyricist, all rolled into one. Besides which he was a brother, friend, husband, and above all a father. This biography of Jagjit Singh traces the evolution of the artiste from his Namdari Singh roots through his diverse musical influences to his recreation of the ghazal as a lively, contemporary form of music that could hold both the young and old in thrall.
Education » Literary
Brahms and Bruckner as Artistic Antipodes: Studies in Musical Semantics by Constantin Floros and Ernest Bernhardt-Kabisch screenshot
ENG | PDF | 7 MB
In the last third of the 19th century Brahms and Bruckner were regarded as antipodes. Is this perception really true to the historical reality or had their contemporaries overestimated the «dimension of their distance», as argued later? Both wrote autonomously conceived music, both held on to traditional forms, and both rejected program music. To find an answer to this question, part I tries to elucidate Brahms’ relation to Bruckner in its biographic, historical, artistic and art-theoretical aspects. At the center of the second part, whose subject is Brahms’ early work, is the question whether Brahms was indeed an autonomously working composer. The topic of the third part is a taboo of Bruckner research: Bruckner’s relation to program music.

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