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Education » Literary » Magazines
Computer Music Presents The Producer's Music Theory Handbook 5th Edition, 2023 screenshot
English | 264 pages | PDF | 94 MB
The term ‘music theory’ is known to strike fear in the hearts of computer musicians, conjuring up images of stuffy classrooms, clusters of confusing musical notes and incomprehensible languages. However, with all this music-making power sitting on your hard drive, there’s no excuse not to fully grasp the fundamental building blocks of music. Yes, you can get by without any theory skills… but how much better would your tracks be if you could program those MIDI notes with gusto and tickle those ivories with purpose? So if words like ‘chords’, ‘scales’, ‘modes’ and ‘inversions’ fill you with dread, fear not. We’ve cherry-picked the finest tutorial features from the pages of Computer Music and Future Music – each guide created specifically for the computer-based producer – to bring you this mega-compendium of music theory knowledge.


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comments

  Releaser 21.07.2012 15299 5854
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  Member 18.10.2019 153
+145
Bizarrely this has a Harry Styles magazine special appended to the end of it!
  Member 20.07.2019 274 2275
+2501
Thanks for the update Sunny! You're doing God's work ;)
  Resident 21.04.2014 1590
+330
It's not really in the hearts of musicians, but in the brain and in the soul that matter "theory" doesn't enter, and it's not just in computer musicians, and any kind of musician. All this out of laziness.

But, I discovered where the error is, it is precisely to call THEORY , what never was.

For something to be a theory, you must form a thought about something, formulate it through a method or use your own, explain your guesses about something and even elaborate formulas, until then you have a 'simple thesis'.

Then comes another guy as smart as you and contests your thesis, confronts your thinking, the ideas come into conflict and can be overthrown or start to develop in other ways, if that happens we have the birth of a new theory. And they become solid, because there is no one to break them with opposing thesis or opinions.

Music theory never existed, there was a time in the 19th century and before, that some men who thought they were very smart, gave names like 'science and theory', for many mathematicians and physicists of the 20th century, they demoted many old theories to simple theorems.

The music is all based on small concepts, some maths, portions of languages with a few phrases or single words, happy was Mozart who said: "I want everything in my language, no more Italian". The French composers did the same with their music, while those who didn't have an opinion because they worshiped others too much, had to memorize foreign words until today.

The problem is that it's a set of information that you don't absorb in a week, music students love magic and ready-made formulas, it's unfortunate.

Any disciplined musician can, over time, play his songs and slowly learn the musical concepts. In a short time, you will know a lot.

My question is just one, does someone without patience read 264 pages?
  Member 25.04.2023 20
+2
Thank you so much for this comment. It has had a much greater impact on me than all the issues of this magazine.

What you are talking about in the last paragraph (which is before the sacramental question) seems simple and straightforward. However, this idea is not so easy to implement. But that is where all the benefit of this approach lies.

I am a near-musician and have been creating music for a little over three years. And I understand very well the benefit of a gradual immersion in music theory. After all, music is a language. It's like reading and speaking - it's a delicate combination of immersion in theory, with deliberate practice in conversation and storytelling.

PS
I decided to delete all the magazines I've already downloaded and just play the keys for fun (trying to hear what I already know)

Translated with DeepL.com (free version)

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