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Software » Windows
Stillwell.Audio.1973.VST.v2.0-ASSiGN
Stillwell.Audio.Bad.Buss.Mojo.VST.v2.0-ASSiGN
Stillwell.Audio.Bombardier.VST.v2.0-ASSiGN
Stillwell.Audio.Event.Horizon.VST.v2.0-ASSiGN
Stillwell.Audio.Major.Tom.VST.v2.0-ASSiGN
Stillwell.Audio.The.Rocket.VST.v2.0-ASSiGN
Stillwell.Audio.Transient.Monster.VST.v2.0-ASSiGN
Stillwell.Audio.Verbiage.VST.v2.0-ASSiGN
Stillwell.Audio.Vibe-EQ.VST.v2.0-ASSiGN

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Stillwell.Audio.1973.VST.v2.0-ASSiGN
THIS is where 1973 is coming from…not an emulation, but a tribute. Taking the best features and reducing them down to their essence…then making it utterly transparent and smooth. Dial in some high end. No, more than that…c’mon, more. What? Are you afraid of that knob or something…GIVE IT A TWIST, I SAID! Magic. THAT’s what separates the men from the boys in EQs like this…the ability to drop in staggering amounts of smooth, detailed HF boost without shredding eardrums.

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Stillwell.Audio.Bad.Buss.Mojo.VST.v2.0-ASSiGN
Dial in a bit of knee in the bend. Old-school transistors or even tubes? Dial in some nonlinear modulation. It’ll go from “I can’t hear that you’ve done anything, but I like it” all the way up to “Why did you run my mix through a guitar amp?” Highly recommended (the plugin, not running your mix through a guitar amp…)

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Stillwell.Audio.Bombardier.VST.v2.0-ASSiGN
Bombardier gives a nod to the non-linear and frequency-variant subtleties of a wide range of Grade-A hardware buss compressors, and should you wish these can be pushed almost into the realms of a character compressor.
Due to its RMS compression engine (and unlike The Rocket, which uses peak compression), Bombardier is ideally suited to final mixdown and mastering usage, as well as for those who like to set up buss dynamics first and then mix ‘into’ the buss compressor.
Bombardier’s party piece is the new and unique ‘bomb’ processing algorithm which, when selected, gives attack and release settings that are effectively instantaneous while yielding exceptionally smooth gain reduction. Bomb mode is sure to become a firm favourite with mastering engineers the world over, but can also give extremely satisfying results in single track and buss applications
Five different and highly effective pre-emphasis filter modes vary Bombardier’s response to the frequency spectrum and are key to preserving transparency during full-mix compression.
Bombardier is very flexible, offering forward/feedback topologies, variable and automatic release behaviours, sidechain operation, parallel processing and variable gain reduction range limiting. Choosing appropriate settings for the task at hand is critical to getting the best out of Bombardier, so a full range of well chosen presets are provided.

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Stillwell.Audio.Event.Horizon.VST.v2.0-ASSiGN
Now, it may not let you be louder than the latest “flavor of the month” “mastering” limiter, but within its range of operation, you WILL get an unsurpassed natural sound. Its output is what comes into it…only louder. If you push it too hard, it will tell you in no uncertain terms that this is no longer the right tool for the job. Give it a try…it’s fantastically easy to use, and it sounds great!
New for 1.02! Limiter mode adds a new spin to a traditional lookahead limiter that can allow more gain reduction than a clipper, yet still remain VERY transparent. Give it a try. We’ve made it a separate download and plugin name (Event Horizon+) since the VST parameters are different and we didn’t want to break your existing projects. If you are purchasing or have purchased this plugin previously, the same key will work for both plugins…two for the price of one!

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Stillwell.Audio.Major.Tom.VST.v2.0-ASSiGN
The attack/release settings are inspired by one of the true “stealth” vintage compressors, the dbx* 160. You may not hear about it much, but you’ve heard it on records time and time again. Musicality: That’s the second key. Major Tom WILL pump, but it should do so in a musical, rhythmic manner. Put it on vocals gently for smoothing…nice. Put it on bass, but don’t go overboard…buttah. Put it on drums and go berserk…SMACKIN’. If you pull lots of gain reduction, it’s going to turn into a savage, funky, living, breathing, pumping instrument of destruction, but use it gently and it will be nice and transparent, adding a subtle gloss to your tracks. Those looking for utterly transparent gain reduction need not apply.

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Stillwell.Audio.The.Rocket.VST.v2.0-ASSiGN
Placed on the master bus, The Rocket will effortlessly tame transients almost in the manner of a brickwall limiter.
Discussions of Science and Art are played out within The Rocket ’s ‘Impetus’ circuits, where warmth and aggression exist as DSP, able to take the delicate, musical gain reduction to the extremes of dirty, heavy and slamming rock’n'roll misbehaviour. Aw hell, The Rocket can rock so crank it up!

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Stillwell.Audio.Transient.Monster.VST.v2.0-ASSiGN
Turn up the attack. Need those ride cymbals to really ring instead of just dying down into the mush? Turn up the sustain. Too much bleed and ring getting into your drum tracks? Turn DOWN the sustain. See? I knew I didn’t really have to explain it to you

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Stillwell.Audio.Verbiage.VST.v2.0-ASSiGN
It’s extremely controllable (try changing the room size and damping of your average reverb impulse…doesn’t work, does it?), and very flexible. Separate control over early and late reflections, stereo or mono in (input mix), stereo or mono out (width), flip wet output channels for cross reverb (very cool for panning mono instruments and letting them fill a space without getting overly wet), high-pass filters, gating…it’s all there. This is NOT the reverb you would use to emulate a physical space (that’s what convolution reverbs excel at), but this is a true gem for sweetening tracks with reverb…adding that special shimmer to tracks that you can’t really get any other way.

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Stillwell.Audio.Vibe-EQ.VST.v2.0-ASSiGN
This is one of those mythical plugins that makes things sound better just by plugging it in. Really. Unlike 1973, which is a very pristine EQ plugin (but a VERY good EQ, all the same), Vibe-EQ is all about color. The more boost or cut you dial in, the more color and funk you get. This may not be your go-to EQ every time, but you’ll wind up using it more often than you’d expect.

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comments

  Resident 4.12.2008 12
0
Thx for this aio
The dream comes true

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