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Kontakt, instruments
Chris Hein Orchestral Brass EXtended KONTAKT screenshot
KONTAKT - 24,5 GB
Chris Hein Orchestral Brass EXtended is an extensive orchestral brass library meeting highest expectations regarding sound quality, expression and applicability. What started out as a functional and fun brass library in its first iteration, has been taken to the next level with the EXtended Version.

Producer Chris Hein has brought his thirty years of sampling experience into this masterpiece, giving the user maximum flexibility, highest level of customization and benefit in use. For the EXtended Version Chris Hein pushed the limits of Kontakt scripting and modelling to power the most realistic and dynamic brass collection ever seen.


While the original library featured nine instruments, Chris Hein Orchestral Brass EXtended comes with twelve instruments in total. Included are all nine original instruments plus three additional instruments, six ensemble instrument patches, and two effects articulation patches. All in all, Chris Hein Orchestral Brass EXtended contains 20 GB of additional content - more than twice as much as the original library and over 43,000 new samples.

Instruments from Orchestral Brass Complete: three Trumpets, three Trombones, and three French Horns recorded as individual instruments and as three ensembles. Each instrument builds upon almost 8,000 single samples, 14 articulations and up to eight dynamic layers.

Additional instruments in the EXtended Version:
- F-Tuba
- Sousaphone
- Euphonium


In fact, these three Low Brass Instruments have more articulations and samples than the original Brass Instruments - there are 24 articulations in total for each of the Tuba, Sousaphone and Euphonium.

Sousaphone ImageIn addition to 5 different sustains, 6 different shorts and 5 different special articulations, you’ll find:
- Added Repetitions in 16th and 8th notes with adjustable speed
- 6 new short articulations and hundreds of stunning one shot effect samples


Euphonium ImageChris has sampled these instruments in exquisite detail, with 16 dynamic layers for the normal shorts. This provides a huge range of variation and expression. Short repetitions, dirty attacks, growls and ornaments were deliberately recorded with character and expression, so they’ll bring unparalleled realism to your parts, simulating the natural playing nuances of a real-life player.

Chris Hein Orchestral Brass EXtended KONTAKT screenshot
For an epic Hollywood sound Chris Hein added six Ensemble Instrument patches using the same mixing techniques he used for his Ensemble Strings library, Chris has created extra large, epic Brass Ensembles from a careful mixture of the solo instruments. Thanks to the sonic quality and the extremely wide dynamic range, this version of Orchestral Brass offers instantly fat and full sounding Ensembles for each instrument group.
Included are:
- Trumpet Ensemble large
- Trombone Ensemble large
- Horns Ensemble large
- Low Brass Ensemble
- Full Brass Ensemble
- Full Brass Ensemble without the Trumpets


The low brass ensemble is a particular highlight, with extended articulations including: Ensemble repetitions, 6 new short articulations, 12 different Note Heads and a large variety of spectacular Ensemble Effects.

Chris Hein Orchestral Brass EXtended KONTAKT screenshot
More Features inside Orchestral Brass EXtended
Note-Head Variations - Changing the Note-head variations has always been a standout feature of Chris Hein libraries, and with Orchestral Brass EXtended the number of different attack articulations increases from 6 to 12. This is the easiest way to bring more character, variations and nuance to your brass performances. Instantly switch between all versions of clean or dirty attacks by just moving the Note-Head fader.

Simulated Mute Controls - The simulated mute controls inside Orchestral Brass EXtended are effective, realistic and first and foremost lots of fun. Because they’re modelled, rather than sampled, Orchestral Brass EXtended consists of a reasonable size without multi-sampling every different type of mute. All the EXtended instruments are armed with the mute modelling, accessible from the front panel. Included are five different Mutes: Bucket, Cup, Harmon, Straight, and Stop mute.

True Legato - The instruments of Chris Hein Orchestral Brass Complete offer true legato. The corresponding in-depth recordings and edits result in unexpectedly realistic sounds with perfect note-transitions. At the same time you can expand these realistic articulations by additional, artificially inserted legatos.

Perfect Dynamic Transitions thanks to Phase Alignment - All samples were fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.

Both the high quality gear such as selected Neumann microphones and the musician's significant performances drive the sound aesthetics. Unlike the award-winning Chris Hein – Horns, this library takes advantage of the renowned WDR Symphonic Orchestra.

For this library, dry close mic'ing was an intentional decision. All instruments were recorded individually avoiding any crosstalk. Despite that CH Winds Compact incorporated the inevitable interaction of an orchestra. Therefore, the participating musicians used headphone monitoring, to complement each other, forming perfectly balanced ensembles. Consequently, time-dependent articulations such as Dynamic Expression achieve an especially coherent tone, allowing you to combine individual instruments for perfectly matched ensembles.


Kontakt Player 5.7 or newer required


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comments

  Member 24.01.2016 97
+11
Wooow! Talula, you are the hero.
  Resident 18.01.2014 359
+56
Thank you very much Talula!
  Member 16.12.2018 13
+2
Talula....what are you ! ?
Thank you from the fu€k!ng bottom of the heart
  Resident 30.01.2014 7 1201
+193
Damn.....

thought I could be the first to give you a huge

THANK YOU, TALULA!!!
  Member 25.12.2018 8 14
+309
If only Chris Hein started using at least one set of ambient mics. Using a reverb on a close mic recording isn't as good as using actual ambient mics.
Ref links:
http://ul.to/ref/16868974
http://rapidgator.net/account/registration/ref/3900755
  Resident 6.01.2018 24 123
+1139
It´s wonderfull. Very Thanks Talula
  Resident 30.04.2015 11 38
+576
Talula, you have no idea how much i adore you.
  Resident 4.06.2011 211
+6
Oh My god !!! The Complete collection is about to be here...
Thanks a lot dear Talula...
You're a wizard...
  Member 28.01.2018 4 35
+54
If the nsemble patches are as good as the solos,
this could be the bomb.. let's see!

Perhaps @Talula could take a look at Audiobro's LADD,
or why not EWQL Hollywood Orchestra?
  Member 5.01.2014 1 250
+56
Respect and thanks.
Mal
  Resident 16.11.2018 33
+17
Kontakt Complete Collection (763449993443 TB)

Talula
  Member 4.07.2015 202
+20
WOW! Thank you SOOOO much!!
  Resident 29.08.2015 331
+75
Talula, your name is engraved in history forever

Thanks
  Resident 4.06.2012 330
+81
quote by ernzo
or why not EWQL Hollywood Orchestra?


That is not Kontakt, it is PLAY which is not cracked
  Resident 16.03.2013 364
+82
Ta-Ta-Ta-(pause)-Ta-Ta-Ta-(pause)-TA-LU-LA !!!
Thanks, dear myth!
Para-para-parAUDIOZ/SEX! Whoa-oh-oh oh-oooh oh-oh-oh...
  Resident 7.10.2011 564
+106
Chris Hein often gets poor reviews. Is it a fair judgement? That GUI looks like a chocolate box.
We can't dance, we don't talk much, we just ball and play, then we move like tigers on vaseline
  Resident 26.11.2015 579
+174
i don't think the chris hein libs sound as good as the berlin tools or spitfire ones, or even as good as the cinesamples ones... imo.
make music, not walls.
  Member 28.01.2018 4 35
+54
They're different animals,
Berlin Tools, Spitfire and Cinesamples all go for the Big Ensemble sound/approach.

Chris Hein stuff is the best for Soloists and small ensembles alla chamber music..
at that it's state of the art, often unrivaled.
  Member 22.10.2016 160
+22
With the constant flow of great libraries released here lately I'm starting to feel like the fat kid from Willy Wonka....... thank you Talula
  Member 29.12.2016 19
+6
Thank you sir Talula. These horns sound amazing!

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