REQ: Symphonic Virtual Orchestra
MODULE 01
Synthestration. Tactics for a good sound.
Differences between Samples & Real Orchestra
Basics: Recording Dynamics
Balance
Panning
Layers: Distributing your Musical ideas
Volume: 7, 11, Kontakt, Audio, Gain, etc
Keyswitches
Equalization
MODULE 02
Using Templates to Boost Productivity
Routing
Small & Big Templates. Pros & Cons
Minimal set-up
Modular Templates (Sonar & Cubase)
Organization: Groups, Kontakt Instances, Buses, Stems
Reverbs
Computer Specs
MODULE 03
Arranging for Samples. Techniques Compilation 01
Ready-to-go Tracks: configured and pre-routed
Getting a Tight & Powerful Orchestral Sound
Orchestrating Percussion Beds: balance, panning, layers
Sequencing a Percussion Bed: step by step
Ensemble Patches: benefits and when to use them
Strings Long Sequencing: big cinematic sound
Sequencing Trumpets: the right way
Horn Patches: for an epic cinematic sound
Tremolo strings: very good sounding articulation usually underused
Low Staccato Strings: for an epic cinematic sound
MODULE 04
Arranging for Samples. Techniques Compilation 02
Sequencing Fast Strings – Three Approaches
Strings Measured Tremolos/Staccatos
The Timpani as a Main Orchestral Percussion Instrument
Blending Percussion and Orchestral Parts
Blending Choir and Orchestra
Compressing Velocities
Importing MIDI data from Score Editor. A good idea?
Sketching Within your Sequencer
MODULE 05
Mixing (1) Secrets of the Pros
Exporting Stems
Analog Saturation
Reverb
E.Q.
Compression
Automation: where the Magic Happens
MODULE 06
Mixing (2) and Mastering
Mixing Strings Stems
Mixing Brass/WW Stems
Mixing Percussion
Learning from the Masters: "Pirates of the Caribbean" Stems
Expanding Mixing Depth
Mastering
MODULE 07
Composing Workflow for Consistent Good Results
Efficiency. Workflow Overview
1 min Track under 1h: Introduction
1 min Track under 1h: Composing
1 min Track under 1h: Mixing
1 min Track under 1h: Mastering
Synthestration. Tactics for a good sound.
Differences between Samples & Real Orchestra
Basics: Recording Dynamics
Balance
Panning
Layers: Distributing your Musical ideas
Volume: 7, 11, Kontakt, Audio, Gain, etc
Keyswitches
Equalization
MODULE 02
Using Templates to Boost Productivity
Routing
Small & Big Templates. Pros & Cons
Minimal set-up
Modular Templates (Sonar & Cubase)
Organization: Groups, Kontakt Instances, Buses, Stems
Reverbs
Computer Specs
MODULE 03
Arranging for Samples. Techniques Compilation 01
Ready-to-go Tracks: configured and pre-routed
Getting a Tight & Powerful Orchestral Sound
Orchestrating Percussion Beds: balance, panning, layers
Sequencing a Percussion Bed: step by step
Ensemble Patches: benefits and when to use them
Strings Long Sequencing: big cinematic sound
Sequencing Trumpets: the right way
Horn Patches: for an epic cinematic sound
Tremolo strings: very good sounding articulation usually underused
Low Staccato Strings: for an epic cinematic sound
MODULE 04
Arranging for Samples. Techniques Compilation 02
Sequencing Fast Strings – Three Approaches
Strings Measured Tremolos/Staccatos
The Timpani as a Main Orchestral Percussion Instrument
Blending Percussion and Orchestral Parts
Blending Choir and Orchestra
Compressing Velocities
Importing MIDI data from Score Editor. A good idea?
Sketching Within your Sequencer
MODULE 05
Mixing (1) Secrets of the Pros
Exporting Stems
Analog Saturation
Reverb
E.Q.
Compression
Automation: where the Magic Happens
MODULE 06
Mixing (2) and Mastering
Mixing Strings Stems
Mixing Brass/WW Stems
Mixing Percussion
Learning from the Masters: "Pirates of the Caribbean" Stems
Expanding Mixing Depth
Mastering
MODULE 07
Composing Workflow for Consistent Good Results
Efficiency. Workflow Overview
1 min Track under 1h: Introduction
1 min Track under 1h: Composing
1 min Track under 1h: Mixing
1 min Track under 1h: Mastering