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The Usual Suspects OsTIrus (DSP56300 Emulator) 1.3.12 MultiOS + ROM's [FREE]Native Instruments Session Bassist Upright Bass KONTAKTe-instruments Desolate Guitars KONTAKT-FANTASTiCNative Instruments Kontakt 7 v7.10.1 PROPER WiN-bobduleNative Instruments Kontakt PORTABLE 7 v7.10.1 WiN-vkDanilovPlugin Alliance Unfiltered Audio Battalion v1.0.3 Incl Patched and Keygen-R2RLuftrum Lunaris 2 v2.3.2 KONTAKT-FANTASTiC

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Опрос

Your Primary Genre
Soundtracks - 763 (5.22%)
5.22%
Pop, R&B, Funk - 1281 (8.76%)
8.76%
Rock, Metal - 2129 (14.57%)
14.57%
Rap, Hip Hop - 2974 (20.35%)
20.35%
Jazz, Classical - 532 (3.64%)
3.64%
World, New Age - 139 (0.95%)
0.95%
Avant-Garde - 158 (1.08%)
1.08%
Folk, Country - 121 (0.83%)
0.83%
Ska - 29 (0.2%)
0.2%
Electronic (general) - 3109 (21.27%)
21.27%
- Ambient, Lounge - 290 (1.98%)
1.98%
- Club, Dance - 436 (2.98%)
2.98%
- D&B - 497 (3.4%)
3.4%
- House - 1244 (8.51%)
8.51%
- Trance - 656 (4.49%)
4.49%
- Industrial - 257 (1.76%)
1.76%

14615 votes

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which is the saddest song from "the beatles" ? silicon or intel advice Kontakt Wallpaper Request & Comments Analog Signals vs. Digital Signals Is it possible to iterate on audio file optimization without using DSP? audio shitposting meme thread Softube Synths Crash Ableton !!! What are you listening to now? No instrument input in mixer? SSD 4 can't open library

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fresh releases

Software » Windows
PSPaudioware PSP E27 v1.0.1 Incl Keygen-R2R screenshot

Team R2R | Jan 25 2016 | 12.6 MB
PSP E27 is a multistage equalizer plug-in (VST3, VST, AAX and RTAS for Windows; AudioUnit, VST3, VST, AAX and RTAS for Mac OSX) modeled after the analog equalizer E27 produced by Avedis Audio Electronics. E27 offers three-band equalization with nine selectable frequencies in a standard 500x package. This equalizer offers +/-16dB of boost/cut at musicially selected frequency ranges, and offers gentle saturation.
Samples » sound effects
Turbo Samples - Vocal FX WAV screenshot
FANTASTiC 25 January 2016 | 129 MB
Turbo Samples are proud to present this ultimate collection of Vocal FX.

In this collection you will find 100 unusual and abstract Vocal FX suitable for any genre such us Tech House, Techno, House, Deep House and more!
Software » Windows
Noisebud Burt 2.0 Free Version VSTi screenshot
25 JNAUARY 2016 | VSTi | 5 MB
Version 2 of our angry old fart is out and he’s still mad as hell!
Burt are built around a traditional chain of subtractive synthesis but Instead of the traditional way with a nice and clean signal chain Burt adds distortion or exaggerate the signal in every step of the signal path. So even if you start off with a clean sine wave you might end up with something completely different and might even not hear any difference if you change to a saw or square. But be sure of one thing; it will sound like no other synth you heard before!
Call it waveshaping or oscillation by distortion if you like… We call it Burt!
Software » Windows
Verklagekasper Sonitarium v1.3a VSTi screenshot
25 JANUARY 2016 | VSTI | 10 MB
Sonitarium employs a variant of DSF synthesis with aliasing-free oscillators that generate a quadrature stereo signal. Providing up to 200 oscillators per voice, Sonitarium is most suitable for fat pads, drone sounds, and horror music.
Sonitarium was made using Synthedit. The sound engine isn't based on native Synthedit modules, though, but newly coded in C++.
Software » Windows
Camel Audio Alchemy Player v1.55.0 WiN X86 X64 ONLY Patch 1 screenshot
WiN X86 X64 ONLY Patch 1 | 33.27 MB
Alchemy Player is a free software instrument with an inspiring sample library and instrument sounds including evolving soundscapes, lush pads, and pulsing arpeggios. Built with the award winning Alchemy engine under the hood, it provides ready to play sounds that can be easily tweaked from the intuitive interface. It can also load any SFZ sample library.
presets, patches, impulses, MIDI, SF, Akai
SM101 - Massive 80s Sounds MiDi Ni Massive Presets screenshot
FANTASTiC 22 January 2016 | 5 MB
Massive 80s Sounds delves into the synth-laden sound of the 80s with 101 stunning patches re-creating classic synth sounds synonymous with the decade. Loaded stacked poly leads, crystalline pads, FM-style sounds, retro arps and warm bass, Massive 80s Sounds delivers authentic 80s inspiration - whatever your genre.

Reuploaded. PiRAT

Samples » Kontakt
Ilya Efimov Fretless Bass KONTAKT-MAGNETRiXX screenshot
TEAM MAGNETRiXX | 24 January 2016 | 2.35 GB
This library is a detailed emulation of a hi-end 5-string “studio custom” fretless bass from the famous Canadian company F-Bass. We recorded 12 dynamic layers for each fret of each string with different playing techniques and articulations.

Reuploaded. PiRAT

Samples » Kontakt
Zero G - Zetamorph MULTiFORMAT screenshot
FANTASTiC 24 January 2016 | 3.22 GB
ZETAMORPH features over 2.9Gb of extreme, modern cinematic sound design and mutating electronica created from the ground up for for the most demanding soundtrack, trailer and electronic music producers.
Kontakt, loops
Loopboutique Light Shine Signature WAV KONTAKT screenshot
FANTASTiC 22 January 2016 | 616 MB
'Light Shine Signature' from Loopboutique is comprised of 20 Construction Kits with a strong assortment of well-produced loops and samples with heavy influences coming from Ambient, Lounge, Hip Hop and EDM. This chill Trap loop/sample pack provides unique melodic phrases combined with powerful percussion created by the talented producer, "Light Shine".
Education » Literary
Instruments for New Music: Sound, Technology, and Modernism screenshot
ISBN: 0520288025 | 2015 | EPUB/PDF | 250 pages | 3.85 MB/13 MB
“Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson’s fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts.”

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