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Native Instruments Crosstalk Piano KONTAKT-FANTASTiCAccess Virus FirmwareNative Instruments Spotlight Collection : Ireland v1.0.2 KONTAKTImpact Soundworks Rosette Fingerstyle KONTAKTSonible SmartEQ4 v1.0.2-R2RSonible Smartlimit v1.1.5-R2RVirtual Riot Serum Presets 2024-FANTASTiC

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Опрос

Your Primary Genre
Soundtracks - 762 (5.22%)
5.22%
Pop, R&B, Funk - 1279 (8.76%)
8.76%
Rock, Metal - 2125 (14.56%)
14.56%
Rap, Hip Hop - 2969 (20.34%)
20.34%
Jazz, Classical - 532 (3.64%)
3.64%
World, New Age - 139 (0.95%)
0.95%
Avant-Garde - 158 (1.08%)
1.08%
Folk, Country - 121 (0.83%)
0.83%
Ska - 29 (0.2%)
0.2%
Electronic (general) - 3107 (21.29%)
21.29%
- Ambient, Lounge - 290 (1.99%)
1.99%
- Club, Dance - 436 (2.99%)
2.99%
- D&B - 496 (3.4%)
3.4%
- House - 1244 (8.52%)
8.52%
- Trance - 653 (4.47%)
4.47%
- Industrial - 256 (1.75%)
1.75%

14596 votes

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People having a meltdown over AI music ReFX Nexus 4 no sound from some preset DEDE Sound V4 Group Buy Kontakt is the worst thing, why did we adopt this as a standard? Grimes Total Nightmare DJ Set At Coachella 2024 Week 1 AKAI isos from PHOTONE Need help, Studio One Filter/Select by Name Script What's the best studio desk (or desk feature) you've ever seen? Currently creating a reverb, and I need some opinions Any tips on modern pop music?

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Samples, loops, MIDI, SF, Akai
[dead] X-R Audio West Coast Smash Hitz WAV MIDI FLP screenshot
WAV MIDI FLP | 61.97 MB
'West Cost Smash Hitz' from X-R Audio brings you five Construction Kits from the West Side. Influences for this product include Xzibit, Ice Cube, Dr. Dre, Snoop Dogg, and many more. Filled with piano chords, sound effects, and synth bass, this is a must-have product for all you artists and producers.

Sorry. This material is no longer available for download.. PiRAT

Education » Literary
[dead] Music Makes Me: Fred Astaire and Jazz screenshot Music Makes Me: Fred Astaire and Jazz Un.....ity of Cali....ia Pr..s | 2011 | 392 pages | PDF | 2.8 Mb
Fred Astaire: one of the great jazz artists of the twentieth century? Astaire is best known for his brilliant dancing in the movie musicals of the 1930s, but in Music Makes Me, Todd Decker argues that Astaire's work as a dancer and choreographer --particularly in the realm of tap dancing--made a significant contribution to the art of jazz. Decker examines the full range of Astaire's work in filmed and recorded media, from a 1926 recording with George Gershwin to his 1970 blues stylings on television, and analyzes Astaire's creative relationships with the greats, including George and Ira Gershwin, Irving Berlin, Jerome Kern, and Johnny Mercer. He also highlights Astaire's collaborations with African American musicians and his work with lesser known professionals--arrangers, musicians, dance directors, and performers.

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